The Famous Five and You

I wanted to do a proper review of these because I've mentioned them as a shining example of "not very good adventure gamebook based on a licensed property" in one or two other posts discussing similar series, and also someone pointed out that their title is actually quite funny if you think about it. But I should warn you that that perhaps unintentional piece of passive-aggressiveness might well be the highlight of The Famous Five and You.

34 on Sky

Between 24 December 2022 and 4 June 2023, Sky Showcase (as the channel formerly known as Sky One has recently rebranded as) brought Season 34 of The Simpsons to the UK, at least on pay TV: "Top Goon" aired as a festive special on Christmas Eve (in spite of this particular episode's questionable links to the festive season, this has become a tradition for Sky dating back to Season 30's "'Tis the 30th Season"), and the rest of the season followed on a weekly basis from 15 January. With one exception: the annual trilogy of terror, "Treehouse of Horror XXXIII", was not aired as part of this season, and we were left waiting until the Sunday just gone, the 22nd October, for its Sky debut... which it made at 4:45pm.

Give Yourself An Incredibly Unsatisfying Role-Playing Experience

Give Yourself Goosebumps saw R. L. Stine's best-selling series collide with the solo gamebook format in a way remarkably similar to the other big proponent of US interactive fiction, Choose Your Own Adventure, for a total of exactly fifty different books (42 in the regular series, plus 8 'special editions') released between 1995 and 2000, when the franchise entered a hiatus that would last some eight years. With the nineties not being enormously kind to the gamebook genre on the whole, for many members of the generation who grew up with Goosebumps this was likely the first, and quite possibly only, series of interactive fiction books they followed.

If you were of that generation and revisited the original series of Goosebumps books more recently (and for whatever reason a hell of a lot of them have turned up in my local charity shops and second-hand bookshops lately), then they almost certainly read very differently as an adult. Whilst exactly how much of the main range Stine wrote himself still seems up for discussion, the various spin-off series -- this and the short story collections, amongst others -- are beyond debate, with multiple authors having openly stated they ghostwrote various entries. And time may well have been even less kind to the offshoots.

The Blog Author Fulfils a Childhood Dream

Alea Jacta Est!

Translating into English as "the die is cast", if you didn't know, Alea jacta est! was a four-volume series of adventure gamebooks starring the famous indomitable Gauls published in France in 1988, with three of the entries being translated into English a year or two down the line; the original Latin title remains on the cover, but each book is also billed under the rather less imaginative heading of "An Asterix Game Book". The books boasted a full combat and inventory system, and directly mashed together the appearance of a regular Asterix comic album with the functionality of an adventure gamebook, using a mixture of text sections and puzzles based around illustrations. The English translations were done by Anthea Bell and Derek Hockridge, who so brilliantly translated the original comics, which gives these versions a great sense of authenticity. And the series might very well be one of the most successful marriages of an existing property to the adventure gamebook format. But given such a category also includes Give Yourself Goosebumps, The Famous Five and You and Dick Tracy: A Catch-a-Crook Adventure, that doesn't seem like a terribly high bar to clear. So, what's it like?

The Unofficial Complete I'm Sorry I Haven't a Clue Official Stage Tour Dates

My own souvenir programme from the 2020 Bristol show

These have been removed from the show's Wikipedia article by some tosser who reckons they're "not of encyclopaedic value", and I compiled them from 2020 onwards (plus I have some additional notes on the earlier years I found out whilst double-checking some things), so consider this my contribution towards preserving comedy history -- absolutely every date in the history of the ISIHAC stage tour.

31 on 4

Between 29 September 2019 and 17 May 2020, Donald Trump was impeached for the first time, the United Kingdom held a general election to decide who out of the two worst people eligible for the position would become Prime Minister, then went on to leave the European Union, the primaries for the 2020 US election got underway, that actress from Casualty referred to Greta Thunberg as "Sharon" on Celebrity Mastermind, and then the COVID-19 pandemic shut down most of the planet.

With all that going on, you'd be forgiven for forgetting that between those two dates Fox aired the 22 episodes that make up Season 31 of The Simpsons, which began airing in the UK on Sky One on 24 December 2019, and then weekly from 17 January to 29 May 2020... although there are a few little footnotes on those broadcasts we'll get onto in due course. At some point this autumn, Channel 4 will bring those episodes (or at least nearly all of them) to free-to-air television; the twentieth season of the show they've premiered, and almost certainly the sixteenth consecutive one to debut in the tried and trusted early evening slot on weekdays -- but that looks like it might be changing just a bit, as the scrapping of the terrestrial broadcasts of Hollyoaks means that from Monday 25th September, Our Favourite Family moves back half an hour to 6.30pm. Time will tell if this is a permanent change, I suppose.

For the fifth year running, then, I present my guide to possible cuts, censorship and outright cancellations to watch out for; as ever, I advise you to keep an eye on Wesley Mead's UK Scheduling Information page at The Simpsons Archive for news of when exactly these episodes will arrive on C4, and I'll be back with a full list of edits and whatnot after they do.

My Scintillating Observations on the Recording Order of the First Series of Red Dwarf

The first series of Red Dwarf was originally scheduled to be recorded and broadcast in the following order:

1. "The End"

2. "Bodysnatcher"

3. "Balance of Power"

4. "Waiting for God"

5. "Future Echoes"

6. "Confidence & Paranoia"

However, before the episodes could be recorded, an electrician's strike at the BBC put paid to the planned filming dates in early 1987. The series was eventually remounted towards the end of the year, but as the story famously goes, during the hiatus, Rob Grant and Doug Naylor took a second look at the scripts and decided to drop the planned second episode, "Bodysnatcher". They rewrote the ending of "Confidence & Paranoia" so, instead of successfully resurrecting Kochanski as a hologram, Lister unwittingly brought a second hologram of Rimmer online instead, and wrote a new finale, "Me²", following on from this. The episodes were thus recorded in the following order:

1. "The End"

2. "Balance of Power"

3. "Waiting for God"

4. "Future Echoes"

5. "Confidence & Paranoia"

6. "Me²"

(7. Reshoots to "The End")

"Future Echoes" turned out so well that it was bumped up from fourth to second, giving a broadcast order as follows:

1. "The End"

2. "Future Echoes"

3. "Balance of Power"

4. "Waiting for God"

5. "Confidence & Paranoia"

6. "Me²"

The story of "Bodysnatcher" getting dropped is a pretty well-known one to any Dwarf fan, but the changing of "Confidence & Paranoia" seems to be a less-discussed one -- had Grant Naylor already changed their minds about this ending when they decided to drop "Bodysnatcher"? Were the two decisions made in tandem? Was the originally planned ending a consequence of deciding to bump all the episodes after "Bodysnatcher" up one and write a new finale, rather than write a new second episode?