A Major Milestone in Ludicrously Niche's History

I discovered this evening that this blog is now cited on the Wikipedia page for adventure gamebooks, and I would like it on record that it wasn't even added by me

Like a Goddamn Vampire

Dracula Dobbs enjoyed a stint of just over four years in Buster, launching in May 1987 as part of a major revamp of the comic which retired several long-serving characters and introduced some new ones. It is notable as making a permanent change to its status quo at one point, and it is an alteration which really tickles me for some reason.

The setup of the strip seems pretty self-explanatory: every night at sundown, Dennis Dobbs turns into a vampire and roams the streets looking for not blood, but food (the term 'food vampire' was later created), usually from his local takeaways and street vendors. No explanation was ever given for this transformation beyond a mention in the first strip that he was 'born at midnight' (implying this has been happening since the day he was born, which if anything seems like an even more interesting idea for a comic strip); in that introductory instalment Dracula Dobbs is already an established terror of his neighbourhood. In the very first strip (which can be seen here) Dennis appears to be fully cognisant of his double life, and it's implied it doesn't happen every single night, but both of these were retconned pretty sharpish; by late '87, only Dennis' parents know his secret, and he transforms every night.

A question which I don't in any way have the answer to: is it possible the strip was originally conceived as a boy who turns into a werewolf, and got changed to a vampire without anything else about the setup being altered? People don't generally only turn into vampires at night, and there does seem to be some insinuation in the first strip that the change only happens at the full moon which might be a hangover from an earlier incarnation.

In any event, DD was drawn by Nigel Edwards; I like Edwards' work, but it seems to be particularly suited to the fantasy-horror setup of this story, and it's a shame he didn't get to do more strips on similar themes. As mentioned earlier, in the issue of Buster dated 22nd September 1990 the strip got a bit of continuity -- unusual in a British humour comic, but maybe not that unusual -- when something changed about the setup. Before reading on, see if you can guess what.

Timeframes III

Sometimes, when I find a pile of old comics in a charity shop, I like to go through them and pull out a few things of interest.

This particular pile of Dandys from the dawn of the 90s was a particularly lucky find, as they clear up a few mysteries from the previous times I did this.

The Life and Times of Milly O'Naire

This is the very first edition of The Toffs and the Toughs, which appeared in IPC/Fleetway's Knockout across its 106 weekly issues from 1971 to 1973. It is one of many, many, many Fleetway strips based around class war, a few more of which we are soon to encounter.

I am not absolutely certain, but I think this very first instalment of TTatT is the only one in which the names of the individual toffs and toughs are ever given -- certainly I've read quite a lot of other strips and none of the characters are named in them. The artist was Reg Parlett, although some sources claim it was Joe McCaffrey; possibly McCaffrey ghosted some strips further down the line.

When Knockout finished in 1973 it merged with Whizzer and Chips. It appears The Toffs and the Toughs was carried forward to Whizzer and Chips incorporating Knockout (as it was known for a little over a year post-merger), but -- like several of the other strips that made the leap forward -- didn't last in its new home for more than a year or so. (Perhaps the most famous survivor of Knockout was Fuss Pot, who survived another merger later on and continued to appear in Fleetway's last comic standing, Buster, until it ended.)

However, the Knockout Christmas annual continued to be issued until 1984, and the toffs and the toughs continued to wage their wars against each other in that; additionally, later in the 70s the characters had a relaunch of sorts in a W&C strip called Smarty's Toffs and Tatty's Toughs (a sample of which can be seen here), which made the two groups supporting characters to the pre-established leads of Smarty Pants and Tatty Ed, although they seem to have disappeared from the pages of Whizzer and Chips for good by the late seventies.

Meanwhile, in 1979 Fleetway launched another new comic, Jackpot, which featured another class war-based strip in all 141 issues over a run of just under three years: Milly O'Naire and Penny Less (drawn by Sid Burgon), recycling the name of the female toff in The Toffs and the Toughs -- most likely unconsciously, although the two Millys do have some interesting similarities in their character designs.

And that is how Fleetway had two concurrent characters with the exact same name, without anybody noticing.